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<channel>
	<title>Sounding Brass &#187; Practice</title>
	<link>http://www.soundingbrass.com</link>
	<description>On Brass Bands and Brass Playing</description>
	<pubDate>Thu, 29 May 2008 17:50:31 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.2.1</generator>
	<language>en</language>
			<item>
		<title>How to double tongue unevenly</title>
		<link>http://www.soundingbrass.com/2006/12/18/how-to-double-tongue-unevenly/</link>
		<comments>http://www.soundingbrass.com/2006/12/18/how-to-double-tongue-unevenly/#comments</comments>
		<pubDate>Mon, 18 Dec 2006 22:12:06 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Practice]]></category>

		<category><![CDATA[Tips and Tricks]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/12/18/how-to-double-tongue-unevenly/</guid>
		<description><![CDATA[Dave Werden give an idea how double tonguing could be used to articlulate rapid dotted 8th/16th passages. 
This feels awkward at first, but it is possible to get used to it fairly quickly. Once you have mastered it, you can play a dotted-8th/16th figure with much more speed and fluidity.
Read at Tuba-Euphonium Blog: When Do [...]]]></description>
			<content:encoded><![CDATA[<p>Dave Werden give an idea how double tonguing could be used to articlulate rapid dotted 8th/16th passages. </p>
<blockquote cite="http://www.dwerden.com/blog3/display_blog.cfm?bid=93377624-E250-5A24-A36F80B2F786D251"><p>This feels awkward at first, but it is possible to get used to it fairly quickly. Once you have mastered it, you can play a dotted-8th/16th figure with much more speed and fluidity.</p></blockquote>
<p>Read at <cite cite="http://www.dwerden.com/blog3/display_blog.cfm?bid=93377624-E250-5A24-A36F80B2F786D251"><a href="http://www.dwerden.com/blog3/display_blog.cfm?bid=93377624-E250-5A24-A36F80B2F786D251">Tuba-Euphonium Blog: When Do You NOT Want to Double-Tongue Evenly?</a></cite></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Tutoring Tutors</title>
		<link>http://www.soundingbrass.com/2006/11/30/tutoring-tutors/</link>
		<comments>http://www.soundingbrass.com/2006/11/30/tutoring-tutors/#comments</comments>
		<pubDate>Thu, 30 Nov 2006 14:33:22 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Students]]></category>

		<category><![CDATA[Practice]]></category>

		<category><![CDATA[Salvation Army]]></category>

		<category><![CDATA[Tips and Tricks]]></category>

		<category><![CDATA[Canada]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/11/30/tutoring-tutors/</guid>
		<description><![CDATA[Theme Magazine &#8212;from The Salvation Army Canada and Bermuda Territory&#8212; has republished some thoughts from Staff Bandmaster Brian Burditt on being an effective brass teacher. 
The teacher&#8217;s responsibility is threefold: observation, diagnosis and prescription.
First, the teacher observes the student and his performance problems; second, he thoroughly analyzes the problem; and third, he prescribes a remedy [...]]]></description>
			<content:encoded><![CDATA[<p>Theme Magazine &mdash;from The Salvation Army Canada and Bermuda Territory&mdash; has republished some thoughts from Staff Bandmaster Brian Burditt on being an effective brass teacher. </p>
<blockquote cite="http://www.salvationist.ca/2006/tutoring-tutors/"><p><em>The teacher&rsquo;s responsibility is threefold: observation, diagnosis and prescription.</p>
<p>First, the teacher observes the student and his performance problems; second, he thoroughly analyzes the problem; and third, he prescribes a remedy to solve the problem, which, with patience and careful practice, will in time correct the difficulty.</em></p></blockquote>
<p class="citation"><cite cite="http://www.salvationist.ca/2006/tutoring-tutors/"><a href="http://www.salvationist.ca/2006/tutoring-tutors/">Salvationist.ca &ndash; Theme Magazine -Tutoring Tutors</a></cite></p>
]]></content:encoded>
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		</item>
		<item>
		<title>3 Euphonium Articles</title>
		<link>http://www.soundingbrass.com/2006/11/06/3-euphonium-articles/</link>
		<comments>http://www.soundingbrass.com/2006/11/06/3-euphonium-articles/#comments</comments>
		<pubDate>Mon, 06 Nov 2006 21:55:37 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Euphonium]]></category>

		<category><![CDATA[Practice]]></category>

		<category><![CDATA[Instruments]]></category>

		<category><![CDATA[Tips and Tricks]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/11/06/3-euphonium-artilces/</guid>
		<description><![CDATA[Here are links to three articles on Euphonium playing written by Arthur Lehman, formerly a euphonium soloist with the U.S. Marine Band:

Developing Intonation on Brass Instruments
Two Types of Players, part 1 - Power Players
Two Types of Players, part 2 - Finesse Players

]]></description>
			<content:encoded><![CDATA[<p>Here are links to three articles on Euphonium playing written by Arthur Lehman, formerly a euphonium soloist with the U.S. Marine Band:</p>
<ul>
<li><a href="http://www.dwerden.com/eu-articles-lehman-Intonation.cfm">Developing Intonation on Brass Instruments</a></li>
<li><a href="http://www.dwerden.com/eu-articles-lehman-PowerPlayers.cfm">Two Types of Players, part 1 - Power Players</a></li>
<li><a href="http://www.dwerden.com/eu-articles-lehman-FinessePlayers.cfm">Two Types of Players, part 2 - Finesse Players</a></li>
</ul>
]]></content:encoded>
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		</item>
		<item>
		<title>Boosting Your Brass Band&#8217;s Skill</title>
		<link>http://www.soundingbrass.com/2006/10/06/boosting-your-brass-bands-skill/</link>
		<comments>http://www.soundingbrass.com/2006/10/06/boosting-your-brass-bands-skill/#comments</comments>
		<pubDate>Fri, 06 Oct 2006 13:19:56 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Salvation Army]]></category>

		<category><![CDATA[Practice]]></category>

		<category><![CDATA[Web Sites]]></category>

		<category><![CDATA[Tips and Tricks]]></category>

		<category><![CDATA[Canada]]></category>

		<category><![CDATA[Bands]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/10/06/boosting-your-brass-bands-skill/</guid>
		<description><![CDATA[
Boosting Your Brass Band&#8217;s Skill&#160;&#8212;an article by Bram Gregson, from Theme The Salvation Army&#8217;s new online music and gospel arts e-zine.
]]></description>
			<content:encoded><![CDATA[<blockquote cite="http://www.salvationist.ca/theme/2006/boosting-your-brass-bands-skill/"></blockquote>
<p class="citation"><cite cite="http://www.salvationist.ca/theme/2006/boosting-your-brass-bands-skill/"><a href="http://www.salvationist.ca/theme/2006/boosting-your-brass-bands-skill/">Boosting Your Brass Band&rsquo;s Skill</a></cite>&nbsp;&mdash;an article by Bram Gregson, from Theme The Salvation Army&#8217;s new online music and gospel arts e-zine.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Brass Warm-up - Open-Tone Lip Slurs</title>
		<link>http://www.soundingbrass.com/2006/06/19/brass-warm-up-open-tone-lip-slurs/</link>
		<comments>http://www.soundingbrass.com/2006/06/19/brass-warm-up-open-tone-lip-slurs/#comments</comments>
		<pubDate>Tue, 20 Jun 2006 02:30:17 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Practice]]></category>

		<category><![CDATA[Tips and Tricks]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/06/19/brass-warm-up-open-tone-lip-slurs/</guid>
		<description><![CDATA[The attached pdf has a series of lip slurs played on open tones. Work to make the slurs cleanly, with no stray notes or sounds in between.
Click to download:

Treble clef version &#8211; File Attachment: openvalvelipslurs.pdf (17 KB)
Bass clef version &#8212; File Attachment: lipslursbc.pdf (18 KB)

[tags]Brass, Practice, Music, Warm Up, Lip Slurs, Exercises, Free Download[/tags]
]]></description>
			<content:encoded><![CDATA[<p>The attached pdf has a series of lip slurs played on open tones. Work to make the slurs cleanly, with no stray notes or sounds in between.</p>
<p>Click to download:</p>
<ul>
<li>Treble clef version &ndash; <a href="http://www.soundingbrass.com/images/openvalvelipslurs.pdf">File Attachment: openvalvelipslurs.pdf (17 KB)</a></li>
<li>Bass clef version &mdash; <a href="http://www.soundingbrass.com/wp-content/lipslursbc.pdf">File Attachment: lipslursbc.pdf (18 KB)</a></li>
</ul>
<p>[tags]Brass, Practice, Music, Warm Up, Lip Slurs, Exercises, Free Download[/tags]</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Free Download: Brass Warm-up - Long Tones</title>
		<link>http://www.soundingbrass.com/2006/04/30/free-download-brass-warm-up-long-tones/</link>
		<comments>http://www.soundingbrass.com/2006/04/30/free-download-brass-warm-up-long-tones/#comments</comments>
		<pubDate>Mon, 01 May 2006 00:41:32 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music]]></category>

		<category><![CDATA[Practice]]></category>

		<category><![CDATA[Tips and Tricks]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/04/30/free-download-brass-warm-up-long-tones/</guid>
		<description><![CDATA[Playing long tones is a solid foundation to individual practice, rehearsals and performance. The long tone&#160;helps to strengthen the embouchure, develop breath control and shape the player&#8217;s tone and intonation.
The attached PDF file is a one-page series of long tones, starting on second line G and chromatically alternating higher and lower tones.
When practicing, use a [...]]]></description>
			<content:encoded><![CDATA[<p>Playing long tones is a solid foundation to individual practice, rehearsals and performance. The long tone&nbsp;helps to strengthen the embouchure, develop breath control and shape the player&rsquo;s tone and intonation.</p>
<p>The attached PDF file is a one-page series of long tones, starting on second line G and chromatically alternating higher and lower tones.</p>
<p>When practicing, use a metronome to make sure you give full value to the exercise. Start tones softly but distinctly. Make sure that the pitch does not get sharp or flat as you crescendo or decrescendo. Periodically check your tuning against a tuner, but work to develop your ear.&nbsp;Play tones steady, without any vibrato.</p>
<p>Click to download:</p>
<ul>
<li>Treble clef version &ndash; <a href="http://www.soundingbrass.com/wp-content/longtones.pdf">File Attachment: longtones.pdf (20 KB)</a></li>
<li>Bass clef version &ndash; <a href="http://www.soundingbrass.com/wp-content/bclongtones.pdf">File Attachment: bclongtones.pdf (20 KB)</a><a href="http://www.soundingbrass.com/wp-content/longtones.pdf"></a></li>
</ul>
<p><!--Creative Commons License--></p>
<p><a href="http://creativecommons.org/licenses/by-sa/2.5/ca/" rel="license"><img alt="Creative Commons License" src="http://creativecommons.org/images/public/somerights20.png" border="0" /></a><br />This work is licensed under a <a href="http://creativecommons.org/licenses/by-sa/2.5/ca/" rel="license">Creative Commons Attribution-ShareAlike 2.5 Canada License</a>.</p>
<p>[tags]Brass, Practice, Warm Up, Long Tones, Exercises, Free Download[/tags] </p>
]]></content:encoded>
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		</item>
		<item>
		<title>Articles on Brass Playing</title>
		<link>http://www.soundingbrass.com/2006/04/27/articles-on-brass-playing/</link>
		<comments>http://www.soundingbrass.com/2006/04/27/articles-on-brass-playing/#comments</comments>
		<pubDate>Fri, 28 Apr 2006 04:22:09 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Students]]></category>

		<category><![CDATA[Trumpet]]></category>

		<category><![CDATA[Practice]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/04/27/articles-on-brass-playing/</guid>
		<description><![CDATA[Some links from Jeff Purtle: 

How to Practice
What to Practice
Brass FAQ
Correct Hand Position
Clarke&#8217;s Technical Studies, then and now
Claude Gordon&#8217;s Approach (on ITG Youth Website)
Saint Jacome original text (1894 edition) - 20 page pdf file 
ITG Article on Lee Loughnane of Chicago on Claude Gordon and the CG Selmer trumpet
Jeff&#8217;s Favorite Trumpet and Brass music on [...]]]></description>
			<content:encoded><![CDATA[<p>Some links from Jeff Purtle: </p>
<ul>
<li><span class="body"><a href="http://www.purtle.com/jeff_articles_how.html">How to Practice</a></span></li>
<li><span class="body"><a href="http://www.purtle.com/jeff_articles_what.html">What to Practice</a></span></li>
<li><a class="body" href="http://www.purtle.com/jeff_articles_faq.html">Brass FAQ</a></li>
<li><span class="body"><a href="http://www.purtle.com/jeff_articles_position.html">Correct Hand Position</a></span></li>
<li><span class="body"><a href="http://www.purtle.com/jeff_articles_clarke.html">Clarke&rsquo;s Technical Studies, then and now<font size="5"></font></a></span></li>
<li><a href="http://www.trumpetguild.org//itgyouth/masterclass/Purtle.htm" target="_blank">Claude Gordon&#8217;s Approach</a> (on ITG Youth Website)</li>
<li><a href="http://www.purtle.com/assets/pdf/StJacomeText.pdf" target="_blank">Saint Jacome original text (1894 edition) - 20 page pdf file </a></li>
<li><span class="body"><a href="http://www.trumpetguild.org/pdf/9802laba.pdf" target="_blank">ITG Article on Lee Loughnane of Chicago on Claude Gordon and the CG Selmer trumpet</a></span></li>
<li><a href="http://www.purtle.com/jeff_itunes.html">Jeff&#8217;s Favorite Trumpet and Brass music on iTunes</a> </li>
</ul>
<p class="citation"><cite cite="http://www.purtle.com/jeff_articles.html"><a href="http://www.purtle.com/jeff_articles.html">Purtle.com - Jeff - Articles on Brass Playing</a></cite></p>
<p><span class="technoratitag">Technorati Tags: <a href="http://www.technorati.com/tags/Claude+Gordon" rel="tag">Claude+Gordon</a>, <a href="http://www.technorati.com/tags/Trumpet" rel="tag">Trumpet</a>, <a href="http://www.technorati.com/tags/Brass+Playing" rel="tag">Brass+Playing</a>, <a href="http://www.technorati.com/tags/HowTo" rel="tag">HowTo</a></span></p>
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