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<channel>
	<title>Sounding Brass &#187; Music Theory</title>
	<link>http://www.soundingbrass.com</link>
	<description>On Brass Bands and Brass Playing</description>
	<pubDate>Thu, 29 May 2008 17:50:31 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.2.1</generator>
	<language>en</language>
			<item>
		<title>Definition - Accent</title>
		<link>http://www.soundingbrass.com/2007/06/14/definition-accent/</link>
		<comments>http://www.soundingbrass.com/2007/06/14/definition-accent/#comments</comments>
		<pubDate>Thu, 14 Jun 2007 15:45:39 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Glossary]]></category>

		<category><![CDATA[Definitions]]></category>

		<category><![CDATA[Music Theory]]></category>

		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2007/06/14/definition-accent/</guid>
		<description><![CDATA[An accent adds emphasis to a note making that note louder or longer than others in the measure.
]]></description>
			<content:encoded><![CDATA[<p>An accent adds emphasis to a note making that note louder or longer than others in the measure.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.soundingbrass.com/2007/06/14/definition-accent/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Definition - Accompaniment</title>
		<link>http://www.soundingbrass.com/2007/06/13/definition-accompaniment/</link>
		<comments>http://www.soundingbrass.com/2007/06/13/definition-accompaniment/#comments</comments>
		<pubDate>Wed, 13 Jun 2007 21:30:10 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Glossary]]></category>

		<category><![CDATA[Definitions]]></category>

		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2007/06/13/definition-accompaniment/</guid>
		<description><![CDATA[Any part or parts that support the voices or instruments carrying the principle part in music.
]]></description>
			<content:encoded><![CDATA[<p>Any part or parts that support the voices or instruments carrying the principle part in music.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.soundingbrass.com/2007/06/13/definition-accompaniment/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Tuning A Band</title>
		<link>http://www.soundingbrass.com/2007/05/22/tuning-a-band/</link>
		<comments>http://www.soundingbrass.com/2007/05/22/tuning-a-band/#comments</comments>
		<pubDate>Wed, 23 May 2007 01:41:13 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2007/05/22/tuning-a-band/</guid>
		<description><![CDATA[Doug Burden writes about the factors that need to be considered when tuning a brass band. If you&#8217;re looking for a&#160;overview of concepts, this is a good place to start. 

In addition to these &#8220;hard facts&#8221; dealing with the actual imperfect design of brass instruments and the laws of physics, there are a myriad of [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Doug Burden bass trombone" href="http://www.nac-cna.ca/en/naco/allaboutthenacorchestra/musicianbiography/brass.html#burden" rel="tag">Doug Burden</a> writes about the factors that need to be considered when tuning a brass band. If you&rsquo;re looking for a&nbsp;overview of concepts, this is a good place to start. </p>
<blockquote cite="http://www.salvationist.ca/2007/tuning-a-band/">
<p>In addition to these &ldquo;hard facts&rdquo; dealing with the actual imperfect design of brass instruments and the laws of physics, there are a myriad of variables which come into play when an individual attempts to play his instrument in tune. These include:</p>
<ul>
<li>Temperature</li>
<li>Buzz</li>
<li>Wind Speed</li>
</ul>
</blockquote>
<p>Read the entire article <cite cite="http://www.salvationist.ca/2007/tuning-a-band/"><a href="http://www.salvationist.ca/2007/tuning-a-band/">Salvationist.ca &raquo; Tuning A Band</a></cite>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Definition</title>
		<link>http://www.soundingbrass.com/2007/03/12/definition/</link>
		<comments>http://www.soundingbrass.com/2007/03/12/definition/#comments</comments>
		<pubDate>Mon, 12 Mar 2007 15:16:22 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Glossary]]></category>

		<category><![CDATA[Definitions]]></category>

		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2007/03/12/definition/</guid>
		<description><![CDATA[A capella: Sung music without instrumental accompaniment.
Tags:  musical+definitions
]]></description>
			<content:encoded><![CDATA[<p><strong>A capella:</strong> Sung music without instrumental accompaniment.
<div class="bjtags">Tags:  <a rel="tag" href="http://technorati.com/tag/musical+definitions">musical+definitions</a></div>
]]></content:encoded>
			<wfw:commentRss>http://www.soundingbrass.com/2007/03/12/definition/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Musical Definitions - Style</title>
		<link>http://www.soundingbrass.com/2007/02/26/musical-definitions-style/</link>
		<comments>http://www.soundingbrass.com/2007/02/26/musical-definitions-style/#comments</comments>
		<pubDate>Mon, 26 Feb 2007 20:53:45 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2007/02/26/musical-definitions-style/</guid>
		<description><![CDATA[
Agitato - With agitation- excitedly
Alla - In the style of (always used with other words) e.g., alla marcia- in the style of a march.
Con - With (as a connecting word), e.g., andante con amore- slowly, with tenderness
Animato - With animation, in a spirited manner
Appassionato - With intensity and depth of feeling
Brillante - Bright, sparkling, brilliant
Brio [...]]]></description>
			<content:encoded><![CDATA[<ul>
<li>Agitato - With agitation- excitedly</li>
<li>Alla - In the style of (always used with other words) e.g., alla marcia- in the style of a march.</li>
<li>Con - With (as a connecting word), e.g., andante con amore- slowly, with tenderness</li>
<li>Animato - With animation, in a spirited manner</li>
<li>Appassionato - With intensity and depth of feeling</li>
<li>Brillante - Bright, sparkling, brilliant</li>
<li>Brio - Vigor, spirit</li>
<li>Cantabile - In a singing style</li>
<li>Dolce - Sweetly and softly</li>
<li>Energico, con - With expression</li>
<li>Fuoco, con - With fire or much energy</li>
<li>Grandioso - In a noble, elevated style</li>
<li>Grazia, con - With a graceful, flowing style</li>
<li>Legato - Smooth and connected, in a flowing manner (opposite of staccato)</li>
<li>Maestoso - With majesty and grandeur</li>
<li>Marcato - In a marked and emphatic style</li>
<li>Pesante - Heavily, every note with marked emphasis</li>
<li>Quasi - In the manner of; e.g., quasi una fantasia- in the style of a fantasia</li>
<li>Scherzando - In a light playful and sportive manner</li>
<li>Scherzo - A jest, one of the movements of certain symphonies, a composition of light and playful character</li>
<li>Secco - Dry, plain, without ornamentation</li>
<li>Sempre - Always; e.g., sempre staccato- to continue playing in a short and detached style</li>
<li>Spirito, con - With spirit, or animation</li>
<li>Staccato - Short and detached, with distinct precision (the opposite of legato)</li>
<li>Tenuto - Sustained for the full time-value</li>
<li>Tranquillo - With tranquility, quietly, restfully </li>
</ul>
]]></content:encoded>
			<wfw:commentRss>http://www.soundingbrass.com/2007/02/26/musical-definitions-style/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Writing For Brass Bands</title>
		<link>http://www.soundingbrass.com/2007/02/03/writing-for-brass-bands/</link>
		<comments>http://www.soundingbrass.com/2007/02/03/writing-for-brass-bands/#comments</comments>
		<pubDate>Sun, 04 Feb 2007 03:22:19 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Tips and Tricks]]></category>

		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2007/02/03/writing-for-brass-bands/</guid>
		<description><![CDATA[Nigel Horne has put together a helpful primer on writing and arranging music for brass bands. This is not an in-depth tutorial on music theory and composition. Rather, someone with an understanding of writing four-part harmony and some idea of the make up of a brass band can use this information to get started composing [...]]]></description>
			<content:encoded><![CDATA[<p>Nigel Horne has put together a helpful primer on writing and arranging music for <strong>brass bands</strong>. This is not an in-depth tutorial on <strong>music theory</strong> and composition. Rather, someone with an understanding of writing <strong>four-part harmony</strong> and some idea of the make up of a brass band can use this information to get started composing works for brass bands. </p>
<p class="citation"><cite cite="http://www.bandsman.co.uk/writing.htm"><a href="http://www.bandsman.co.uk/writing.htm">Writing For Brass Bands</a></cite></p>
<div class="bjtags">Tags:  <a rel="tag" href="http://technorati.com/tag/brass+band">brass+band</a>, <a rel="tag" href="http://technorati.com/tag/arranging">arranging</a>, <a rel="tag" href="http://technorati.com/tag/music">music</a>, <a rel="tag" href="http://technorati.com/tag/theory">theory</a>, <a rel="tag" href="http://technorati.com/tag/harmony">harmony</a>, <a rel="tag" href="http://technorati.com/tag/composition">composition</a></div>
]]></content:encoded>
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		</item>
		<item>
		<title>Musical Definitions - Tempo</title>
		<link>http://www.soundingbrass.com/2006/06/12/musical-definitions-tempo/</link>
		<comments>http://www.soundingbrass.com/2006/06/12/musical-definitions-tempo/#comments</comments>
		<pubDate>Mon, 12 Jun 2006 14:54:39 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/06/12/musical-definitions-tempo/</guid>
		<description><![CDATA[In general, tempo and metronome markings should be used used as a general guide.&#160;The style of the&#160;music or the ability of the musician is also a factor in determining speed. Tempo markings are as much guides&#160;to the mood as to the speed of a selection. 

Grave &#8212;very slow and solemn
Largo &#8212;very slow and broad, stately
Lento [...]]]></description>
			<content:encoded><![CDATA[<p>In general, tempo and metronome markings should be used used as a general guide.&nbsp;The style of the&nbsp;music or the ability of the musician is also a factor in determining speed. Tempo markings are as much guides&nbsp;to the mood as to the speed of a selection. </p>
<ul>
<li>Grave &mdash;very slow and solemn</li>
<li>Largo &mdash;very slow and broad, stately</li>
<li>Lento &mdash;very slow</li>
<li>Adagio &mdash;very slow and expressive</li>
<li>Larghetto &mdash;between Largo and Andante</li>
<li>Andante &mdash;slow, but moving. At a &ldquo;walking&rdquo; tempo.</li>
<li>Andantino &mdash;quicker than Andante</li>
<li>Moderato &mdash;at a moderate speed</li>
<li>Allegretto &mdash;light, but not as fast as Allegro</li>
<li>Allegro &mdash;quick, lively, bright</li>
<li>Vivo &mdash;lively, brisk</li>
<li>Vivace &mdash;faster than Allegro</li>
<li>Presto &mdash;very quick</li>
</ul>
]]></content:encoded>
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		</item>
		<item>
		<title>Definition - Staccato</title>
		<link>http://www.soundingbrass.com/2006/05/20/definition-staccato/</link>
		<comments>http://www.soundingbrass.com/2006/05/20/definition-staccato/#comments</comments>
		<pubDate>Sun, 21 May 2006 00:01:07 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/05/20/definition-legato-2/</guid>
		<description><![CDATA[Staccato &#8212; abbreviation: stacc.
Detached sounds, indicated by a dot over or under a note. The opposite of legato.
[tags]Music Theory, Definitions, Dictionary, Staccato[/tags]
]]></description>
			<content:encoded><![CDATA[<p>Staccato &mdash; abbreviation: stacc.</p>
<p>Detached sounds, indicated by a dot over or under a note. The opposite of <a title="definition of legato" href="http://www.soundingbrass.com/2006/04/20/definition-legato/">legato</a>.</p>
<p>[tags]Music Theory, Definitions, Dictionary, Staccato[/tags]</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Definition - Legato</title>
		<link>http://www.soundingbrass.com/2006/04/20/definition-legato/</link>
		<comments>http://www.soundingbrass.com/2006/04/20/definition-legato/#comments</comments>
		<pubDate>Fri, 21 Apr 2006 03:55:49 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/2006/04/20/definition-legato/</guid>
		<description><![CDATA[LEGATO - abbreviation: leg.
Smooth and connected, in a flowing manner (Opposite of STACCATO)
]]></description>
			<content:encoded><![CDATA[<p>LEGATO - abbreviation: leg.</p>
<p>Smooth and connected, in a flowing manner (Opposite of <a href="http://www.soundingbrass.com/2006/05/20/definition-staccato/">STACCATO</a>)</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Definition - Accelerando</title>
		<link>http://www.soundingbrass.com/2006/04/20/definition-accelerando/</link>
		<comments>http://www.soundingbrass.com/2006/04/20/definition-accelerando/#comments</comments>
		<pubDate>Thu, 20 Apr 2006 22:00:25 +0000</pubDate>
		<dc:creator>Ian McKenzie</dc:creator>
		
		<category><![CDATA[Music Theory]]></category>

		<guid isPermaLink="false">http://www.soundingbrass.com/?p=4</guid>
		<description><![CDATA[ACCELERANDO — Abbreviation: accel.
To increase the speed gradually.
Technorati Tags: Music+Theory
]]></description>
			<content:encoded><![CDATA[<p>ACCELERANDO — Abbreviation: accel.</p>
<p>To increase the speed gradually.</p>
<p><span class="technoratitag">Technorati Tags: <a href="http://www.technorati.com/tags/Music+Theory" rel="tag">Music+Theory</a></span></p>
]]></content:encoded>
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